Curiosity

One of the aspects of the Telfair Museums' exhibition, Modern Masters. American Abstraction at Midcentury, that I found very stimulating was the quotes from each artist on the labels beside their paintings or sculpture. They were not only well-chosen, but in of themselves, they are thought-provoking and insightful.

An example of these quotes is one that accompanies the painting, Sea Image, by TheodorosStamos (1922-1997).

Sea Image, (Image courtesy of the Smithsonian American Art Museum) by TheodorosStamos

This early Abstract Expressionist New Yorker wrote, "Nature is so vast, with so many moods and the ocean is so large and every wave is infinite. And as long as we have the curiosity of children (and sometimes we have to be children), discovery is not only possible, but indispensable".

The need for curiosity is, I am convinced, absolutely central to life for everyone, but especially for an artist. Not only is it rewarding to find out about how something works, or is put together, or what it is made of, how it smells and feels, but also, this knowledge gives depth and distance to everything in life. Such insights help us determine what we want to paint or draw, how we want to portray things (whether realistically, abstractly, in two or three dimensions, in film, paint, video, whatever...) and why we are moved to do so. Every single day - ideally - should bring new knowledge, fresh enrichment and stimulation, more possibilities for fun and fascination.

Two curious kittens sniff out a tortoise. I(mage courtesy of Life.com)

Watching a kitten explore its world is a perfect metaphor for this curiosity. Everything is new and worth investigating, exploring, evaluating. We artists can be as bright-eyed and curious as any feline. It pays off too!

Is creating art a process of discovery?

It is often said that curiosity lies at the heart of all good art. Frequently, one has an idea about a subject to paint or draw, and the next thought is: why not try it in such and such a way technically, what if one includes x or y subject matter, or what if one approaches the subject altogether differently? In other words, how best to convey the inspiration? Since most artists are innately curious and observant, each drawing or painting turns into a voyage of discovery. Every piece of art has its own "voice" as well. So the artwork will, in essence, tell the artist how to draw or paint it. It is a question of being open, intuitive and attuned to what is happening on the canvas or paper.

Whatever the art being created, the artist will learn from the process of painting or drawing. I find that when I am doing a silverpoint drawing, I observe closely the subject I am depicting, partly because I want to understand it better but also because I am mindful that silverpoint is a severe taskmaster. You cannot erase the lines you make with the silver stylus on the prepared paper, so you live with what you put down. It is a good discipline because you try to understand the subject matter in order then to draw spontaneously. That spontaneity leads in turn to a stronger evocation of the subject.  Just as in other media, the silverpoint drawing technique should be the "silent partner" in the art making duo, playing the important but supporting role to the artist's curiosity and passion which engendered the art in the first place.

Think of Vincent Van Gogh's passionate curiosity. He embarked on extraordinary voyages of discovery every time he started a new painting, whether it was landscapes and scenes in and around Paris, Sunflowers, Dr. Gachet, the Yellow House or Cypresses. Each painting taught him something new and led him on to the next one in his headlong fevered creativity. 

The Yellow House, 1888, oil, Vincent van Gogh, (Image courtesy of the Van Gogh Museum, Amerstdam)

Each of us, as artists, aspires to retain that freshness and energy needed to exercise curiosity, to go on voyages of discovery. Those voyages can lead to the creation of good art.