A retrospective exhibition at Aix-en-Provence’s Granet Museum of Fabienne Verdier’s monumental paintings and creative explorations left me intrigued and impressed. Her fertile questing mind, allied to inventive technical creativity, is an example of what can be achieved when an artist dedicates him or herself to new ways of expressing often abstract and intellectual concepts - whilst at the same time, creating expansive, harmonious beauty.
Read MoreAix-en-Provence
"The eye is not enough..." /
I found a wonderful quotation from Paul Cezanne in this week's Christian Science Monitor (http://www.csmonitor.com) . It was in an article about the French in Aix-en-Provence fighting the high speed railway that is possibly going to pass through the area Cezanne immortalised in his paintings of the area - think Mont Sainte Victoire, for instance (http://www.iblblio.org/wm/paint/auth/cezanne/st-victoire/). Cezanne was explaining his decision to leave the fast-paced urban sophistication of Paris and return to Aix, a very provincial, traditional, almost backwater town. He said, "The eye is not enough, reflection is needed".
Mont Sainte Victoire, 1895, oil on canvas, Paul Cezanne (Image courtesy of Barnes Foundation, Lower Merion, PA, US
It is a statement that goes back, in some ways, to the sense of place, and the need to allow that place to seep into one's subconscious. He was talking, I believe, about needing time to think deeply about what was important to him, what he wanted to try and say in his art in a genuine fashion, untrammeled by the much more relentless pace and demands of a big city. Some people thrive in a pressure-cooker environment, others don't. Cezanne had struggled to advance in his art in Paris, he had haunted the Louvre and frequented many other talented artists. But I suspect that many of us artists come to a stage where time and mental space are needed to allow changes and progress in the art we are trying to accomplish.
Cezanne also knew his home area well. He knew how and when the light would move over landscapes that he felt deeply about and thus wanted to explore in what would be innovative watercolours and oils. He knew the best seasons and times of day at which to paint Mont Ste. Victoire, for instance. He had the time to reflect on such rhythms and use them to his advantage. His canvases of the Jas de Bouffan landscapes show the same awareness of season and place. (http://en.wikipedia.org/wiki/Paul_C%C3%A9zanne)
Jas de Bouffan. The Pond, c. 1876, Paul Cezanne (Image courtesy of the Hermitage Museum)
He could reflect on how he wanted to depict still lifes, the people he knew well in Provence, the landscapes he loved. He had more time in Aix to create art that was pioneering, adventurous, highly individualistic and daring. He had been prescient to say that "the eye is not enough, reflection is needed". Perhaps we all need to remember this wise advice in our own paths in the art world.